Bernd
Haussmann Resume
 |
Solo
Exhibitions |
| 2003 |
Lydon
Fine Art, Chicago, IL
William Campbell Contemporary Art, Fort Worth, TX
Chase Gallery, Boston, MA
|
| 2002 |
Stephen
Haller Gallery, New York, NY
The Lowe Gallery, Atlanta, GA
The Possibility of Nonexistence, Lydon Fine Art,
Chicago, IL
Chase Gallery, Boston, MA
|
| 2001 |
Chase
Gallery, Boston, MA
Erickson & Elins Gallery, San Francisco, CA
Das Lied von der Erde, Lydon Fine Art, Chicago, IL
William Campbell Contemporary Art, Fort Worth, TX |
| 2000 |
Das
Lied von der Erde, Chase Gallery, Boston, MA
Ute Stebich Gallery, Lenox, MA |
| 1999 |
from
the Nature of Things, Chase Gallery, Boston, MA
Andrea Schwartz Gallery, San Francisco, CA |
| 1998 |
from
the” OASIS” series, Chase Gallery, Boston, MA
|
|
Selected
Group Exhibitions
|
| 2003 |
LewAllen
Contemporary, Santa Fe, NM
SF5 Art Fair, Elins Eagles-Smith Gallery,
Stephen Haller Gallery, New York, NY
The Lowe Gallery, Santa Monica, CA |
| 2002 |
William
Campbell Contemporary Art, Fort Worth, TX
Elins Eagles-Smith Gallery, San Francisco, CA
Stephen Haller Gallery, New York, NY
Chase Gallery, Boston, MA
Lydon Fine Art, Chicago, IL
LewAllen Contemporary, Santa Fe, NM |
| 2001 |
Introductions,
San Jose Institute of Contemporary Arts, San Jose, CA
Surface Fragments, Stephen Haller Gallery, New York,
NY
Rice/Polak Gallery, Provincetown, MA
Aesthetic Boundaries, Stephen Haller Gallery, New
York, NY
Ballard Fetherston, Seattle, WA |
| 2000 |
National
Prize Exhibition, Cambridge Art Association, Juror: Carl
Belz (Director Emeritus, Rose Art Museum, Brandeis University)
Stephen Haller Gallery, New York, NY
Gallery of Modern Art, Marblehead, MA
Lydon Fine Art, Chicago, IL
Rice/Polak Gallery, Provincetown, MA
Ute Stebich Gallery, Lenox, MA |
| 1999 |
The
Biophilia Connection. Montserrat College of Art, Beverly,
MA
Andrea Schwartz Gallery, San Francisco, CA
Stephen Haller Gallery, New York, NY
Rice/Polak Gallery, Provincetown, MA |
| 1998 |
from
the “Oasis” series. Chase Gallery, Boston, MA
All New England Color Show, Juried Exhibition. South Shore
Art Center, Cohasset, MA
Rice/Polak Gallery, Provincetown, MA
Group Show. Chase Gallery, Boston, MA
Vases and Vases. Galerie Uli Lang, Biberach, Germany
Rice/Polak Gallery, Provincetown, MA |
| 1997 |
Earth
Body Spirit. Chase Gallery, Boston, MA |
| |
|
|
Public
Collections
Gary Lee & Partners, Chicago, IL
Gensler, Chicago, IL
Hale & Dorr, Boston, MA
Healthpoint Corporation, TX
Hunterdon Museum of Art, NJ
Hyatt Regency Corporation, Rochester, NY
Montserrat College of Art, Beverly, MA
Museum der Stadt Reutlingen, Reutlingen, Germany
Ritz Carlton, Boston, MA
Wheatleigh, Lenox, MA
Xerox Corporation, Rochester, NY |
|
Awards
& Grants
1999 Grant, A.R.T. (Artists’ Resource Trust) Fund,
Massachusetts
Best of Show, Juried Art Exhibit, Essex County
Jurors: Karen Haas, Curator, Boston University Art Gallery,
Boston, Jeffrey Keough, Director of Exhibitions, Massachusetts
College of Art, Boston, Barbara O’Brien, Gallery Director,
Montserrat College of Art, Boston.
1997 Open Studios Northeastern Competition for Painters
Juror: Michael Lash, Director of Public Art, Chicago, IL
|
|
Bibliography
The Boston Globe: Spontaneity is at the heart of painter's
colorful works, by Cate McQuaid, July 19, 2002
The Boston Globe: ‘Proverbs inspire paintings of hope’,
by Cate McQuaid, October 2001
Boston Globe Sunday Magazine: Reel renovations – A
Back Bay town house is transformed for its role in What’s
the Worst That Could Happen? (Movie with Danny DeVito, filmed
in Boston), June 2001
Fort Worth Star Telegram: “Haussman strives for paintings
you can hear”, by Kendra McCown, Fort Worth, TX, April
2001
ARTcetera, Boston, MA, October 2000
Traditional Home, September 2000
MediaOne Public Television: Interview with Bernd Haussmann,
July 2000
artsMEDIA, Cambridge, MA, “GOMA’S GIFTS BY THE
SEA,” by Eileen Kennedy, February 2000
Tender Allies: The Biophilia Connection, Barbara O’Brien,
catalogue essay, March 1999
ARTcetera, Boston, MA, October 1998
New American Paintings, The Open Studios Press, Wellesley,
MA, February 1998
The Boston Globe: “Troubled harvest: three artists’
world views”, by Cate McQuaid, September 1997
The Boston Globe, Cate McQuaid, August 1997
Aeskulap malt-Bernd Haussmann, notabene medici 1996; 5:
260-263 |
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